Wednesday, January 27, 2010
| by Posted by Eddie Yvan
0
New Money stands out. Take the Twelve Hotel in downtown Atlanta. Everything is modern, angular, all rich wood grains and polished metals. The chairs in the lobby are likely as expensive as they are uncomfortable. It feels like a playground for people comfortable with privilege. So it comes as no surprise that Aubrey "Drake" Graham and his crew are staying here while in ATL, and it's hard to blame him for feeling entitled: After all, he did help usher in an entirely new sensibility in hip-hop. It's not the singing that makes him special—MCs have been crooning for years. What puts Drake in a different space than rappers past and present has less to do with his music than how he found himself in a position to make it. He doesn't represent traditional hip-hop in any form or fashion. There were no obstacles to his success; far from a statistic, he caked off as a child star on a soft-ass show (Degrassi: The Next Generation). He's Canadian, which as we all know did wonders for the careers of Maestro Fresh Wes and Kardinal Offishall. And he's Jewish! Scope those stats on paper and rap celebrity seemed destined to elude Drake. Yet, the Toronto kid made it work. But how?
Call it the Kanye plan (at least to an extent—even K. West had more trouble breaking down doors than Drizzy has). Just as the Chicagoan did with the Roc, Drake aligned himself with one of the most prominent rap labels in the game (Cash Money) and absorbed a modicum of street cred in the process. Would DJ Khaled ask him to appear on record if he wasn't down with Weezy? Probably not. But that's beside the point. The fact is that a guy who raps—and sings!—about heartache is working with Jeezy; more than anything, that exemplifies the shift in the landscape. Hip-hop has long conflated gangster and authenticity, and Drake has managed to shrug that off without losing face. The question is, how long will his balancing act last? Rap may change, but it also keeps changing; overnight success has no insurance policy. Thinking about it all is enough to make anyone crazy, but sitting down to dinner in the half-empty restaurant on the Twelve's ground floor, Young Money's (half-)white knight seems calm and carefree, even as he builds about the year behind him and the one ahead. What's to worry about? It might be new money, but having it never gets old.
As smooth as your entry to the rap world was, you only stumbled when people questioned your choices, like the video for "Best I Ever Had."
Drake: You can do something you believe in and people will still say, "This shit is terrible!" But I still believe in Kanye's vision. Maybe we didn't do a great job with getting the point across—it was supposed to be a humorous video. When I read the comments, I was like, Man, I guess no one wants to laugh anymore. Everybody wants the fairy tale, you know?
For an artist who's perceived to be so multifaceted, it was interesting to see people try to put you in a box: "How could he do this? This is degrading to women!"
Drake: If you listen to the lyrics, it's really not a romantic song. It's humorous. Yes, it's great to tell a woman, "You're the best I ever had." But the hook was so lovey-dovey that I just wanted to make the verses some fun shit. And that's how I viewed that song. Like a good time, like a laugh.
Tuesday, November 24, 2009
| by Posted by Eddie Yvan
0Attention Deficit Released
01. Triumph (prod. Dave Sitek)
02. Mamma Told Me
03. Mirrors f. Bun B (prod. Mark Ronson)
04. Pretty Girls f. Gucci Mane & Weensey (of Backyard Band) (prod. Best Kept Secret)
05. World Tour f Jazmine Sullivan (prod.Cool & Dre)
06. Let It Loose (Inhibitions) f. Pharrell Williams (prod. The Neptunes)
07. 90210 (prod. Mark Ronson)
08. Shades f. Chrisette Michele (prod. 9th Wonder)
09. Chillin’ f. Lady Gaga (prod. Cool & Dre)
10. TV In The Radio f. K’Naan (prod. Dave Sitek)
11. Contemplate (prod. Syience)
12. Diary f. Marsha Ambrosius
13. Beautiful Bliss f. Melanie Fiona & J.Cole (prod. DJ Green Lantern & Mark Ronson)
14. Prescription
iTunes Bonus Tracks
15. Center of Attention (Artistic Integrity 2)
16. My Sweety
17. Be Right
Wednesday, October 21, 2009
| by Posted by Eddie Yvan
0Alicia Keys - Doesn't Mean Anything
She is soo sexxy, Idk how swizz beatz pitbul lookin ass pulled her.
| by Posted by Eddie Yvan
0Common ft. Cee-Lo - Make My Day
Color the Day.. Music Video for Common's song 'Make my Day' Directed by Adam Arnali. Life as an artist is tough to find inspiration but connections in life can swing creativity in the right direction instantaneously if we're open to adventure. Meet DeMak a painter who by random chance meets a girl of common culture and vivaciousness. He decides to approach her and make her day and through the course of his adventure she makes his day. Cinematography by Ryan Funk, Directed by Adam Arnali for Zero Dark Cinema starring DeMak McMilln, Veronica Santiago, Jennifer Miller, and Miche Mendes
-- I think this is the best entry ive seen yet of the video contest! they better win!
| by Posted by Eddie Yvan
0Hip Hop Honors Def Jam
shit was hilarious, Tracy Morgan def a underated comedian. He was madd funny and the had great performances.
| by Posted by Eddie Yvan
0This is It soundtrack
This album will be arriving October 27, a day before the This Is It documentary opens in a limited two-week engagement.
DISC 1
1. “Wanna Be Startin’ Somethin’”
2. “Jam”
3. “They Don’t Care About Us”
4. “Human Nature”
5. “Smooth Criminal”
6. “The Way You Make Me Feel”
7. “Shake Your Body (Down to the Ground)”
8. “I Just Can’t Stop Loving You”
9. “Thriller”
10. “Beat It”
11. “Black or White”
12. “Earth Song”
13. “Billie Jean”
14. “Man in the Mirror”
15. “This Is It”
16. “This Is It” (Orchestra Version)
DISC 2
1. “She’s Out of My Life” (Demo)
2. “Wanna Be Startin’ Somethin’” (Demo)
3. “Beat It” (Demo)
4. “Planet Earth” (Poem)
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